2023
Donald Judd Low Shelf Chair (Rentboy), for Andy Marshall
Made-to-order Gift Basket for an Eromenos (for the ancient greek ritual of pederasty)
2022
Untitled (watching how all this plays out) (the crescendo skips a beat, my heart, its only true understudy, plays the note all too long, but I know you liked it like that, the acoustics are great in here) ((I was) thinking 'bout you (that was) before there was you, (I promise) I only have eyes for you, (don't tell me that!There's no way!) am I losing you for good (?, but now) you're near me ( but at least right now anyway,) your mine) (lovers interlude)
Chandelier by Constantine P. Cavafy (finale scene of upper private bathroom of Hollywood Hotel), for Doris Goddard
Installation: Lights, extension cables, power boards, tape
Dimensions variable
Apart of Hooray for Hollywood Exhibition, curated by MART
Screening of Blue, 1993 by Derek Jarman AKA For Lovers and Men, a screen of Derek Jarman’s Blue, 1993 (After Scriabin)
Installation; Poster, Nanlites, speakers, Old Teachers College, University of Sydney, level two men’s bathroom
Study for a monument #1; Celebratory Memorial for a Summer on Oxford Street at a scale of 1:6 (roses substituted in for lovers; scaled height of sculpture/ customised newspaper stand includes plinth, not included in this visualisation); additional, sunlight beautification, 2023
Sculpture; Newspaper stand, vintage halogen spot light, roses
Made-to-order Gift Basket for an Eromenos (for the ancient greek ritual of pederasty), 2023
Sculpture; Bottle of red wine, cologne, grapes, customised military shirt, comics, biscuits, bottle of poppers (Amyl Nitrate), cane basket, cellophane, gift bow, tape
Exhibited during fundraising exhibition for Klubo Gallery at Goodspace Gallery, January 2023
Untitled (when I whistle out a bird call from a bird whistle, so perfectly harnessing the majesties of their song, I don't know what I'm saying, who I'm calling to and where it may be heard, I only long for a call back, someone to understand, echo, replace. I do not understand the reply, I don't need to (I don't want to), but it is undeniably more beautiful than what I have sung out, reproduced. I cry at its physicality, long for its physicality - record them, after a long conversation, and I take these residues home with me, and I listen to them in my home, alongside my window, in my terrace house now, and I pretend you are sitting close, saying them to me, and only to me)
Installation; PA Speaker, Speaker Stand, CD player, voice of Maria Novoa singing Mi Niña Bonita by Vicente Fernández on CD played every 45 minutes on loop, window with open windows (with relative height to original fourth story install in the Old Teachers College, University of Sydney), XLR Cable, Microphone, 680 Revlon Red nail enamel, Carafe with water (refilled with fresh water everyday sculpture is installed), water glass, extension cord, RCA to 3.5mm cable, 3.5mm to 6.5mm audio cable
Untitled (Make it real make it knownnnn, But if all else, Make it beautiful, And then those that stay with the mind, With others, Will do too, A system for the known and unknown, The whispers of a life unloved, Unlived, Lie with it if u want, Fill it if you dare, And I am no lofty being, I think watching it is nicer, If I am to be loved, I am to perform, and if I am to perform, I never want it to end - just as the applause shall never end - I want to say that I will love you, but I cannot even see you)
Installation; Spotlight, speakers, staircase, Camille 2000 (End Titles) from Camille 2000 (Original Motion Picture Soundtrack)
UNTITLED (THE INVITATION OF SOMETHING, A SYSTEM TO REMINISCING THE CORNERED SPACE, PUSHED A FORCEFUL COLLECTION, IMAGINATION AND EMOTION FILL HERE CAN'T ENTER MY OWN MIND BUT I CAN IMAGINE MYSELF THERE, MY OWN PRIVATE DANCE FLOOR ENTRANCED AT THE LIGHT, THE ENTRANCE MAKES ME DANCE BATTLE MAN ON MAN MADE TO BE REAL, A PLASTIC ENCASED ENERGY WARMS A VIRGIN SOUL MAGNIFIES PROBE SPIKE THE ARENA! I DON'T KNOW WHY HE AGREED TO MAKING ALL OF THIS POSSIBLE FOR ME COMING AND GOING'S FOR A VAST DREAMSCAPE, VIVID FACILITATION SPECTRE ON MY LIPS, IN MY EARS, NOTHING TO SEE HERE IS THE SCENERY IN YOU'RE WASTING TIME AND EXPELLING ENERGY IS THE BEAUTY OF LIFE)
Installation; Wood, lights, speakers, audio (collected conversations, real/imagined/speculated/collaged) , music(mixes made by those close to me at the time), plinths